I finished Kim Stanley Robinson’s Antarctica just now. It was real good up until the end, and then in the last 75 pages or so it reduced itself to merely just kind of pretty ok.
For the record, Kim is a man. Just so there’s no confusion.
Really, this is a book about Antarctica. There’s a plot, involving political machinations, love triangles, cultural collisions, ecoterrorism and survival on the ice. There are characters, like Wade, a congressional aide sent to gather background information on the Antarctican Treaty, X (named after the size of his overalls), a grunt worker in the military machine that runs the continent, and Ta Shu, a Chinese mystic and artist who is making a video of his travels to explore the natural feng shui of Antarctica. There are groups of people, too: the GFAs, of which X is one, who do the grunt-work so that others may enjoy the freezing cold; the Beakers, or scientists, who are forever exploring, measuring and categorizing; the Woos, or artists (like Ta Shu), who come to feel the emotions and spirituality of the vast frozen plain.
The book isn’t actually about any of that stuff, however. It’s about the landscapes of Antarctica: the historical landscapes, carved by explorers like Scott, Shackleton and Amundsen; the physical landscapes, with mammoth glaciers, seas of pack ice, mountains of snow and vast caverns in the ice; and the emotional landscapes — how different people react to the vastness, the majesty and the beauty of the unspoiled and inhospitable land. He takes our various heroes to see how Antarctica was a huge beech forest only 3 million years ago, to see how methane trapped in the ice can be harvested for safe clean fuel instead of being left to evaporate and accelerate the greenhouse effect, to see heated swimming pools carved into the pitch blackness deep in glacial ice and how, in that darkness, you can see Cerenkov radiation deep in the clear ice, the passage of interstellar neutrinos through the planet.
The last bit of the book was just a tacked-on ending resolving some unimportant plot points, but I forgive the author. His editor probably made him do it anyways.
Now I’m reading the 4th book in the increasingly uninteresting Organic future series, Robert A. Easton’s Tower of the Gods.